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CELEBRITY SILHOUETTE Triple Decked!, Part Two

Posted on Tuesday, August 16, 2011 by

We return to the original format for Part Two of Peter Knego’s Triple Decked! feature illustrating the public spaces on Decks 11 through 3 of Celebrity Cruises’ spectacular fourth SOLSTICE Class ship, the CELEBRITY SILHOUETTE.

Deck 11

Library, facing starboard from Deck 11.

The upper level of the two deck Library is on Deck 11 overlooking the forward edge of the Grand Foyer.

Deck 10

Library, facing forward from Deck 10.

Deck 10 begins with the Bridge area and continues aft with accommodation. The lower portion of the double deck Library is located on the forward Grand Foyer balcony on this level. Designed by RCI’s Newbuild team, its centerpiece is a tall oil painting called “Ivory Figure WIth Jade Leaves” by American artist, Mary Van Cline. Vertiginous views are afforded from the Library’s balcony, either up into a crown of glass or down through the suspended ficus tree centerpiece atop a tentacled brass sculpture by Swiss-American art duo Lang and Baumann.

Deck 9

Card Room, facing port.

Deck 9 begins with officers’ quarters, continuing aft with passenger accommodation, including Sky Suites. In the forward Grand Foyer balcony, there is a Card Room (designed by RCI’s Newbuild team).

Deck 8

The Hideaway, facing port from Deck 8.

Deck 8 is dedicated to passenger accommodation. On the forward Grand Foyer balcony, the upper level of the tree house-inspired Hideaway replaces the Conservation International-endorsed Team Earth in the prior ships (a space that was dedicated to celebrating the value of marine life).

Deck 7

The Hideaway, facing port from Deck 7.

Deck 7 begins at the SOLSTICE’s fo’c'sle head helipad and continues inside the ship with accommodation. In the forward Grand Foyer balcony, the lower level of the Hideaway resembles an upscale, avant-garde tree house. Inspired by the ficus  trees suspended in the middle of the SOLSTICE class Grand Foyers, this adult tree house is quite possibly the most whimsical space on board the ship.  Its design was overseen by RTKL Associates in conjunction with a group of graduate students from the Florida International University.

Deck 6

Celebrity i-Lounge, facing port.

Deck 6 is devoted to accommodation and the Celebrity i-Lounge, a Mac-equipped internet center in the forward balcony of the Grand Foyer.

Deck 5

Silhouette Theater, facing starboard from Deck 5.

Deck 5 begins an entire level of public rooms with the triple deck 1,115 seat Silhouette Theater that features a semi-theater-in-the-round stage, a galaxy of technical effects including acrobatic suspension devices, telescopic orchestra pit, revolving props, and all the latest light and sound engineering (designed by Wilson Butler Architects).

Starboard Deck 5, facing aft.

Starboard Deck 5, facing forward.

Finite promenades on either side of Deck 5 are largely obscured by the lifeboats but there are open platforms forward and aft that provide a limited view of the sea.

Deck 5 Entertainment Court balcony, facing forward.

A balcony on Deck 5 just aft of the Silhouette Theater overlooks the Entertainment Court on Deck 4.

Photo Gallery, facing aft.

On the aft port side of the Deck 5 balcony, there is a photo gallery.

Bvlgari Shop, facing starboard/aft.

Across from the photo gallery, a row of boutiques continues aft on the starboard side of Deck 5. The shops include the first seagoing Bvlgari as well as Michael Kors, Watch, Eileen Fisher, Calypso, Tommy Bahama, Nautica and more.

Art Gallery, facing aft.

Art Gallery, facing forward.

An Art Gallery continues aft inboard of the shops. Curated by International Corporate Art, the art aboard Celebrity ships is among the finest afloat and covers almost every genre, from edgy sculpture to abstract paintings and fine photography. On the SILHOUETTE some of the collection was transferred from the CELEBRITY MERCURY, when it left the fleet to become TUI’s MEIN SCHIFF 2.

Molecular Bar, facing forward.

At the aft end of the Art Gallery, there is the Molecular Bar, set between passageways for optimal people-watching.

Grand Foyer, facing port from Deck 5.

Opting for a bit of classic ocean liner ambiance, the central portion of the Grand Foyer is topped with a chandelier meant to evoke interlocking bracelets. More on the foyer in a bit…

Bistro On Five, facing aft.

Overlooking the Grand Foyer on the port side of deck 5, the Bistro On Five is an extra tariff creperie with a full menu of light selections from crepes to panini and salads (design is by Wilson, Butler and Associates).

Future Cruises office, facing aft.

Beyond the midships foyer on the port side, there is the Celebrity Destinations future cruise booking desk.

Cafe al Bacio, facing forward.

Meanwhile, on the starboard side of the Deck 5 level of the Grand Foyer, a duo of venues include Cafe Al Bacio and the Gelateria. Designed by RTKL, they are inspired by a Viennese Coffee House and feature oversized lemon yellow wing back chairs.

Ensemble Lounge entrance, facing aft.

Totally random Emsemble Lounge entrance floor detail.

Continuing aft of the midships foyer on the starboard side, the next space is part passageway and part art installation. Leading to the Ensemble Lounge Bar, the vestibule is a multi-sensory installation with piped-in bird sounds, insect buzzes and running water in a verdant Renaissance style backdrop painted by American artist Julie Heffernan entitled “Self Portrait As Radiant Host”.

Ensemble Bar, facing forward.

Totally random Ensemble Lounge carpet detail.

The Ensemble Lounge, designed by BG Studio International, stretches aft along the starboard side of Entertaiment Deck, providing access to Michael’s Club and the posh, extra tariff Murano Restaurant on its port side as well as the aft-situated Aqua Spa class Blu Restaurant, the extra tariff Qsine Restaurant and the extra tariff Tuscan Grille. A destination unto itself with a long, centrally-placed bar, high back chairs and a rich, bold palette of walnut, maroon and gold, it achieves the designers’ intended “vibrant jazz lounge” feel.

Michael's Club, facing forward.

Michael’s Club (also by BG Studios), accessed from the forward/port side of the Ensemble Lounge, has been restyled from the prior ships with a contemporary look. The upscale pub and sports bar is equipped with 46 inch TV screens and offers an enhanced menu with 50 newly-added beers.

Murano, facing port.

Murano private dining room/wine cellar, facing starboard.

Inspired by the piazzas of Venice, the top-rated extra tariff specialty restaurant Murano serves a blend of classic and modern cuisine. Decoratively, it is a world-class venue with walnut, black lacquer, golden silk, beige and deep brown fittings, courtesy of BG Studios.

Specialty Dining Area Passage, facing aft.

A “neighborhood” of specialty dining venues is accessed by another foyer on starboard Deck 5. On the port side of the foyer, there is a five panel mural of a hybrid world filled with colorful wildlife and exotic birds, including silhouetted forms (an ongoing theme in the ship’s artwork).

Anish Kapoor's "Mirror" in the Specialty Dining Area passage.

On the starboard side of the foyer, there is an evocative stainless steel sculpture entitled “Mirror” by Indian artist Anish Kapoor. The reflected image the sculpture creates is intended to “create an obscure world that is in a continuous state of flux.”

Qsine, facing aft.

The first Qsine was introduced aboard the CELEBRITY ECLIPSE. Featuring “food as performance”, the room was conceived by Celebrity Executive Chef Jacques Van Staden and executed by 5+ Designs. With menus and wine lists presented on I-pads, the extra tariff eatery is a study in amber, gold and umber, light oak and mahogany wood tones.

Blu, facing forward.

Rose in Blu entryway.

One of the most beautiful rooms afloat, Blu is a 130 seat specialty restaurant reserved for Aqua Spa passengers, and, when space permits, suite guests for a moderate service fee. Designed by RCI’s Newbuilding Design Team, Blu has a Scandinavian modern feel with a cool palette of blue and ivory with vividly-colored screens. Dozens of roses fill the sockets in the deep blue enameled entryway, while white roses are skillfully embossed into two of the room’s exquisite bulkheads.

Tuscan Grille, facing starboard.

Tuscan Grille, facing forward.

Totally random Tuscan Grille carpet shot.

Accommodation

Just beyond an entryway inspired by a Napa Valley wine cellar, the extra tariff, 130 seat Tuscan Grille concludes the specialty dining “neighborhood” of CELEBRITY SILHOUETTE’s aft Deck 5. A panorama of windows overlooks the ship’s wake. On the SILHOUETTE, 5+ Design updated the original Tuscan Grille blueprint conceived by Adam Tihany Design.

Deck 4

Celebrity Central, facing forward.

Located on Deck 4 just aft of the Silhouette Theater, Celebrity Central is accessed via the Entertainment Court. Designed by Wilson Butler, the space is used for movie screenings, meetings and enrichment lectures.

Entertainment Court, facing forward along Deck 4.

The Entertainment Court links the Silhouette Theater, Celebrity Central and the Quasar disco. A mini piazza, it is also home to musical performances and a popular gathering spot.

Quasar, facing aft.

Located on the port side of the the Entertainment Court, the futuristic Quasar Bar is the SOLSTICE’s dedicated nightclub designed by RTKL Associates.

Quasar, facing port from aft.

Totally random Quasar carpet shot.

The aft portion of Quasar is a chill out room with plush furnishings.

Deck 4 shopping arcade, facing forward.

Shops On The Boulevard connects the Entertainment Court with the Grand Lobby. On the port side, natural light filters in through windows on Deck 5, above. It was executed by 5+ Design, who also did the adjacent Fortunes Casino.

Fortune's, facing forward.

Totally random Fortune's carpet shot.

Located on the starboard side of the Shops On The Boulevard, Fortune’s is a state of the art casino from the 5+ Design team that created the Bellagio in Las Vegas.

Cellar Masters, facing forward.

On the starboard Deck 4 level of the Grand Lobby, Cellar Masters is a warm, richly-hued space dedicated to “all things wine as a social experience”, according to a BG Studios designer.

Martini Bar, facing aft.

Martinis and lace detail.

Martini Bar, facing forward.

Totally random Martini Bar carpet shot.

The Martini Bar is another gorgeously appointed Midcentury-influenced space by the Royal Caribbean Newbuild Design team in cool blues, lace curtains, frosted glass and stark white.

Grand Cuvée Restaurant, facing aft from Deck 4.

Grand Cuvée Restaurant, facing aft from port Deck 4 balcony.

Grand Cuvée glass detail.

Grand Cuvée chandelier detail.

Grand Cuvée Restaurant, facing forward from Deck 3.

Totally random Grand Cuvée carpet detail.

Quite possibly my favorite modern room afloat, Adam Tihany’s magnificent Grand Cuvée restaurant concludes the Deck 4 and Deck 3 public areas. Ribbed white support columns, an elliptical steel ceiling fixture, a prow-like plexiglas and steel wine cellar, a grand staircase and bold palette of red and gold, enhanced with cool fiber optics and, in daytime, abundant natural light. It is a truly awe-inspiring venue, one of many highlights on board a ship filled with superlative spaces. Fine details include spun glass fixtures, polished steel orbs, posh arm chair seating and sunburst-patterned carpeting. Mr. Tihany credits the architecture of Calatrava as its inspiration.

Deck 3

Deck 3 begins with the lowest tier of the Silhouette Theater, continuing aft with a block of accommodation.

Guest Relations, facing forward.

On the port side of the Grand Foyer is the Guest Relations Desk.

Totally random Guest Relations carpet shot.

Passport Bar, facing forward.

Located on the starboard side of the Grand Lobby, the Passport Bar was designed by BG Studios to not only make a “vibrant first impression” but also to reflect “a confluence of arrivals and departures”. As a point of reference, the main entry gangway is located just aft aft, by the Shore Excursions Desk.

Shore Excursions, facing aft/starboard.

The Shore Excursions Desk is adjacent to the midships stairtower on the starboard side of the Grand Foyer.

Grand Foyer, facing forward from Deck 3.

The three deck high Grand Foyer atrium, was restyled from those of the prior ships in a collaborative effort between RCI Newbuilds and BG Studio International. Topped with the aforementioned chandelier, and meant to evoke the grandeur of ocean liners past, the staircase has been given a sweeping curve. Detailing include Moiré-patterned curtains, walnut and makore veneers and Italian granite.

CELEBRITY SILHOUETTE Triple Decked!, Part Three: Accommodation and Random Bits

Celebrity Cruises website

Keep up to date with MaritimeMatters’ Peter Knego on Twitter by clicking here

Very special thanks: Dayna Adelman, Martin Cox, Elizabeth Jakeway, Tavia Robb

4 Responses to CELEBRITY SILHOUETTE Triple Decked!, Part Two

  1. Kalle Id

    August 16, 2011 at 3:33 am

    The interiors of SILHOUETTE are fascinatingly beautiful, thank you so much for sharing (again). The more I see of the ship, the higher it’s climbing on my to-visit list.

    I too find myself particularly liking the Grand Cuvée restaurant – not perhaps surprising, considering I’m partial to modern architecture and the works of Santiago Calatrava in particular.

  2. Peter Newall

    August 16, 2011 at 1:40 pm

    Fabulous images Peter! This ship shows how it is possible to achieve style without the overstatement seen on so many cruise ships of today. The colours are fabulous whilst the design elements ar just perfect. For those who think that the good old days of the ocean liners were the best, open your eyes, think again and behold the future!!
    Peter

  3. Peter Knego

    August 16, 2011 at 1:47 pm

    Thank you, Peter! How ’bout those of us who love the good old ocean liners AND the new ships of Celebrity? :)

    Must agree on the colors. The SILHOUETTE is a bit brighter and bolder than the SOLSTICE and yet is so without being over the top. The Grand Cuvée is perfection.

    Much appreciated,

    Peter

  4. Peter Newall

    August 16, 2011 at 3:15 pm

    Having experienced liners from the 1930s, 1940s and 1950s and the modern ships Peter, I have no problem with loving ye-olde-liners and the Solstice-class as long as nostaligia does not cloud one’s views!
    Peter

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